07 / 552:07

Debt

马上到年底了

The year's almost over

必须要有钱

I've got to have money

马上到年底了

The year's almost over

必须要有钱

I've got to have money

欠我钱的狗婊子快还我钱

You fucking bitches who owe me money, pay me back

欠我钱的狗婊子快还我钱

You fucking bitches who owe me money, pay me back

快还我钱

Pay me back right now

快还我钱

Pay me back right now

快还我钱

Pay me back right now

快还我钱

Pay me back right now

敌人看不见我的眼

My enemies can't see my eyes

不敢随意走在大街上

I don't dare just walk down the street

因为我太显眼

Because I stand out too much

怕羡慕嫉妒恨的小人看见

Afraid those petty, envious haters will see me

因为他们会随地大小便

Because they'll piss and shit anywhere

你不服就过来找我

Got a problem? Come find me

干一架

Let's fight

你妈的逼真欠打

Motherfucker, you're begging for a beating

真他妈的讨厌

So fucking annoying

一听到你的名字我就恶心

Just hearing your name makes me sick

操你妈

Fuck your mother

遇到你之前我都不太确定

Before I met you, I wasn't so sure

骂过你之后我才发现你是那个真正的贱逼

After cursing you out, I realized you were the real fucking scumbag

为什么不把钱还给我

Why won't you pay me back?

为什么不把钱还给我

Why won't you pay me back?

你也不是不知道

It's not like you don't know

我每天都在讨债

Every day I'm collecting debts

其中还包括人情债

That includes the favors people owe me

所以这次必须要弄你

So this time I've got to get you

你不愿意那也不随你

Like it or not, you don't get a say

老子找人开车撞你

I'll get someone to run you over

你躺在马路中间

You'll be lying in the middle of the road

死吧死吧死吧死吧死吧

Die, die, die, die, die

赶紧死吧

Hurry up and die

赶紧死吧

Hurry up and die

赶紧死吧

Hurry up and die

赶紧死吧

Hurry up and die

赶紧死吧

Hurry up and die

赶紧死吧

Hurry up and die

老子的钱你快还给我啊

Give me my fucking money back already

马上到年底了

The year's almost over

必须要有钱

I've got to have money

马上到年底了

The year's almost over

必须要有钱

I've got to have money

欠我钱的狗婊子快还我钱

You fucking bitches who owe me money, pay me back

欠我钱的狗婊子快还我钱

You fucking bitches who owe me money, pay me back

快还我钱

Pay me back right now

快还我钱

Pay me back right now

快还我钱

Pay me back right now

快还我钱

Pay me back right now

Notes

A demand for repayment expands into an angry ledger of work, favors, recognition and revenge. The hook keeps dragging every fantasy back to the unpaid money.

年底

年底 makes time itself a source of pressure: the year is closing and a balance needs to be settled. The recurring demand is unusually concrete for a money song. The speaker is neither shopping nor counting surplus wealth; he needs to recover money already earned. When the opening returns after the revenge fantasy, the account is still unresolved.

头发太长

The long hair first conceals his eyes, a defensive advantage, yet he immediately says he is too conspicuous to walk freely outside. The boast of standing out and the wish to escape hostile attention coexist in the same appearance. That tension complicates the apparent swagger: visibility offers status but also makes the body feel exposed.

羡慕嫉妒恨

The phrase stacks three related reactions: admiration or envy, jealousy, then hatred. English “envious haters” compresses the escalation. 小人 adds a moral judgment: petty or dishonorable people, rather than physically small people.

随地大小便

随地大小便 is the blunt phrase used for urinating or defecating indiscriminately in public. Transferring it to jealous people makes their reaction sound like contamination of a shared space. It turns social hostility into a disgusting failure of basic restraint, extending the verse’s dog imagery before the yapping mouth appears.

老子们

老子 literally says “father,” but here it is an aggressive first-person self-reference, as if the speaker outranks the person addressed. Adding 们 makes that swagger plural. English profanity preserves the roughness but loses the implied hierarchy: this “we” announces that nobody else gets to speak down to them.

狗嘴一直叭叭

狗嘴 turns the opponent’s mouth into a dog’s; 叭叭 imitates its relentless noise. Together they deny the chatter the dignity of an argument. Across “Sour” and “Voices,” mouths and speech also become bodily irritants. Here “yapping” preserves both the canine insult and the sense of someone producing sound without offering repayment.

欠打

欠 means owing or lacking; 欠打 is the insulting judgment that someone deserves a beating. The same character used for money owed in the hook now makes a beating sound like another outstanding balance. “Begging for” gives the English idiom, but loses that shared debt vocabulary.

赚钱也不容易

This is a sudden appeal to fairness inside a stream of insults. 也, “either,” assumes the listener knows earning is difficult too; 你也不是不知道 adds that they cannot plead ignorance. The debt is thus more than a missing sum. It shows someone refusing to recognize the labor of a person whose circumstances they already understand.

讨债讨债讨债

讨 means demanding or seeking what should be given. Repeating 讨债 makes recovery sound like another job, one that has to be done every day after the original work of earning the money. The hook’s insistence is exhausting by design: nothing advances because the same request still has to be made.

人情债

人情债 is a debt created by a favor, help or the obligations of a relationship. Unlike cash, it has no agreed unit or clear repayment date. Introducing it after the relentless literal debt-collection hook expands the grievance: the speaker is keeping track of unreturned loyalty as well as unreturned money. Every relationship threatens to become another account to chase.

不随你

随你 would grant the other person their choice. The negation revokes that small courtesy, following a song full of requests the debtor has ignored. The verse now mirrors the lack of control it resents: unable to obtain voluntary repayment, the speaker fantasizes about taking every decision away from the other person.

日子好的时间

Choosing a good day and time sounds like arranging a welcome event. Its placement before the vehicular threat makes the politeness of scheduling grotesque. The revenge is given the practical calm denied to the rest of the speaker’s life, as though even an extreme fantasy can be entered neatly into a calendar.

梦想实现

梦想实现 is the affirmative language of aspiration fulfilled. Here it names the completion of a revenge fantasy, shrinking the horizon of a better life to the removal of one enemy. The return to “pay me back” prevents that fantasy from resolving the song: imagined victory still leaves the ordinary demand unanswered.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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