Rabbit
我就想一直飘着
I just want to keep drifting
什么事都不做
Do nothing at all
什么事都不想
Think about nothing
每一天都一样
Every day the same
发呆着
Staring into space
很爽
Feels great
脑袋空空
An empty head
两眼一闭
Close both eyes
我不想出门
I don't want to go out
因为我房间里有张床
Because there's a bed in my room
到点准时扶我进梦乡
Right on time, it helps me into dreamland
我懒惰
I'm lazy
上了瘾
I'm hooked
没力气
No energy
心情差
Bad mood
别看我
Don't look at me
很讨厌
So annoying
我烦你
I'm sick of you
我懒惰
I'm lazy
上了瘾
I'm hooked
没力气
No energy
心情差
Bad mood
别看我
Don't look at me
很讨厌
So annoying
我烦你
I'm sick of you
本来就不熟
We don't even know each other well
非得热脸贴冷屁股吗
Do I have to press a warm face against a cold ass?
我不是很理解
I don't really get it
What a baffling move
怎么全部都这样
Why is everyone like this?
个个都心怀鬼胎
Every one of them has something to hide
最恶毒的嘴脸
The most vicious faces
会在暴风雨之后呈现
Will show themselves after the storm
别怪我说话太狠
Don't blame me for speaking too harshly
太多人说话不算话
Too many people don't keep their word
在意太多东西
Care about too many things
一不小心就忽略了其他
And you end up overlooking the rest
你怕不怕
Are you scared?
你怕不怕
Are you scared?
你怕不怕
Are you scared?
不说真心话的小崽子会被我打
I'll beat the little bastards who won't speak honestly
会被我打
I'll beat them
你怕不怕
Are you scared?
会被我打
I'll beat them
你怕不怕
Are you scared?
会被我打
I'll beat them
Notes
The bed offers reliable comfort while social contact looks like effort without sincerity. Chosen idleness hardens into suspicion, then into a demand that other people tell the truth.
一直飘着
The opening wants an empty mind, a bed and nothing to do. After the clipped list of bad moods, the text turns outward toward unreliable people and ends with repeated threats. That change in addressee—from describing “I” to challenging “you”—drives the song’s movement.
吊儿郎当
吊儿郎当 describes a careless, unserious way of behaving, often with a judgment that someone is shirking responsibility. Here the speaker adopts that description himself and immediately says it feels great. It makes the opening’s inactivity sound like an embraced attitude rather than just a lack of energy.
冥想
An empty head and closed eyes can be framed as doing nothing or as deliberate meditation. The isolated word briefly gives the slacking a more elevated name. The next explanation, though, is simply that there is a bed in his room. The sequence keeps collapsing lofty reasons for withdrawal into the immediate appeal of being comfortable.
扶我进梦乡
扶 is to support or steady somebody physically. Here the bed becomes a reliable helper delivering the speaker to sleep “right on time.” That gentle assistance contrasts with the social world in the later verse, where warmth is not returned and words cannot be trusted. An object provides the dependable company people fail to offer.
装傻中
装 means put on an appearance, so this is a performed stupidity rather than an admission of not understanding. The clipped list around it—no energy, bad mood, don’t look at me—makes refusal feel like a status update. Withdrawal is presented through small, self-contained responses that discourage anyone from asking for more.
热脸贴冷屁股
热脸贴冷屁股 describes offering warmth or eagerness and getting cold indifference in return. Its deliberately undignified body image makes the effort look humiliating. The English keeps the image so the rejection remains as coarse as the Chinese.
谜一般的操作
操作 means an operation or the way someone handles something. Calling it 谜一般, “like a mystery,” is a sarcastic way to say someone’s behavior makes no sense. “Move” carries that judgment.
心怀鬼胎
心怀鬼胎 literally imagines harboring a ghostly fetus in one’s heart. As an idiom it means concealing a bad intention or ulterior motive. “Something to hide” carries the accusation.
说话不算话
说话算话 means that what you say counts: you keep your promises. Negating it repeats 话, “words,” around the failure to follow through. The later demand for 真心话, honest words, tightens the complaint from unreliability into a test of sincerity.
真心话
真心话 are words from the true heart, rather than a useful performance. But the demand for them is enforced by a threat to hit the speaker. That ending strains its own desire for sincerity: coerced speech is not automatically trustworthy. The opening wish to be left alone has developed into an attempt to control other people’s words.
Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.