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Rabbit

我就想一直飘着

I just want to keep drifting

什么事都不做

Do nothing at all

什么事都不想

Think about nothing

每一天都一样

Every day the same

发呆着

Staring into space

很爽

Feels great

脑袋空空

An empty head

两眼一闭

Close both eyes

我不想出门

I don't want to go out

因为我房间里有张床

Because there's a bed in my room

到点准时扶我进梦乡

Right on time, it helps me into dreamland

我懒惰

I'm lazy

上了瘾

I'm hooked

没力气

No energy

心情差

Bad mood

别看我

Don't look at me

很讨厌

So annoying

我烦你

I'm sick of you

我懒惰

I'm lazy

上了瘾

I'm hooked

没力气

No energy

心情差

Bad mood

别看我

Don't look at me

很讨厌

So annoying

我烦你

I'm sick of you

本来就不熟

We don't even know each other well

我不是很理解

I don't really get it

怎么全部都这样

Why is everyone like this?

个个都心怀鬼胎

Every one of them has something to hide

最恶毒的嘴脸

The most vicious faces

会在暴风雨之后呈现

Will show themselves after the storm

别怪我说话太狠

Don't blame me for speaking too harshly

太多人说话不算话

Too many people don't keep their word

在意太多东西

Care about too many things

一不小心就忽略了其他

And you end up overlooking the rest

你怕不怕

Are you scared?

你怕不怕

Are you scared?

你怕不怕

Are you scared?

不说真心话的小崽子会被我打

I'll beat the little bastards who won't speak honestly

会被我打

I'll beat them

你怕不怕

Are you scared?

会被我打

I'll beat them

你怕不怕

Are you scared?

会被我打

I'll beat them

Notes

The bed offers reliable comfort while social contact looks like effort without sincerity. Chosen idleness hardens into suspicion, then into a demand that other people tell the truth.

一直飘着

The opening wants an empty mind, a bed and nothing to do. After the clipped list of bad moods, the text turns outward toward unreliable people and ends with repeated threats. That change in addressee—from describing “I” to challenging “you”—drives the song’s movement.

吊儿郎当

吊儿郎当 describes a careless, unserious way of behaving, often with a judgment that someone is shirking responsibility. Here the speaker adopts that description himself and immediately says it feels great. It makes the opening’s inactivity sound like an embraced attitude rather than just a lack of energy.

冥想

An empty head and closed eyes can be framed as doing nothing or as deliberate meditation. The isolated word briefly gives the slacking a more elevated name. The next explanation, though, is simply that there is a bed in his room. The sequence keeps collapsing lofty reasons for withdrawal into the immediate appeal of being comfortable.

扶我进梦乡

扶 is to support or steady somebody physically. Here the bed becomes a reliable helper delivering the speaker to sleep “right on time.” That gentle assistance contrasts with the social world in the later verse, where warmth is not returned and words cannot be trusted. An object provides the dependable company people fail to offer.

装傻中

装 means put on an appearance, so this is a performed stupidity rather than an admission of not understanding. The clipped list around it—no energy, bad mood, don’t look at me—makes refusal feel like a status update. Withdrawal is presented through small, self-contained responses that discourage anyone from asking for more.

热脸贴冷屁股

热脸贴冷屁股 describes offering warmth or eagerness and getting cold indifference in return. Its deliberately undignified body image makes the effort look humiliating. The English keeps the image so the rejection remains as coarse as the Chinese.

谜一般的操作

操作 means an operation or the way someone handles something. Calling it 谜一般, “like a mystery,” is a sarcastic way to say someone’s behavior makes no sense. “Move” carries that judgment.

心怀鬼胎

心怀鬼胎 literally imagines harboring a ghostly fetus in one’s heart. As an idiom it means concealing a bad intention or ulterior motive. “Something to hide” carries the accusation.

社交的步伐很稳健

稳健 normally praises steady, sound progress. Applied to socializing immediately after “hidden motives,” that positive vocabulary turns suspicious: these people move through relationships too competently to seem innocent. The next storm reveals their faces. The worry is that polished social ease helps conceal what a person will do when circumstances change.

说话不算话

说话算话 means that what you say counts: you keep your promises. Negating it repeats 话, “words,” around the failure to follow through. The later demand for 真心话, honest words, tightens the complaint from unreliability into a test of sincerity.

真心话

真心话 are words from the true heart, rather than a useful performance. But the demand for them is enforced by a threat to hit the speaker. That ending strains its own desire for sincerity: coerced speech is not automatically trustworthy. The opening wish to be left alone has developed into an attempt to control other people’s words.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

Tracks

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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