27 / 551:33

LMFAO

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

都有自己的算盘

Everyone's got their own calculations

可就是不能让你如意

But I just can't let you have your way

不好意思我的野心太大

Sorry, my ambitions are too big

不经意间会让你寒心

I might disappoint you without even trying

你觉得你很委屈

You feel so wronged

那请问跟我有什么关系

Then tell me, what's that got to do with me?

我懒得理你

I can't be bothered with you

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

他们都想跟我闹点矛盾

They all want to pick a fight with me

我不想理

I don't want to engage

哭哭哭你接着哭

Cry, cry, cry, keep on crying

笑了笑了笑了我笑了

Laughing, laughing, laughing, I'm laughing

哭哭哭你接着哭

Cry, cry, cry, keep on crying

笑了笑了笑了我笑了

Laughing, laughing, laughing, I'm laughing

哭哭哭你接着哭

Cry, cry, cry, keep on crying

笑了笑了笑了我笑了

Laughing, laughing, laughing, I'm laughing

哭哭哭你接着哭

Cry, cry, cry, keep on crying

笑了笑了笑了我笑了

Laughing, laughing, laughing, I'm laughing

哭

Cry

笑

Laugh

哭

Cry

笑

Laugh

哭

Cry

笑

Laugh

哭

Cry

笑

Laugh

Notes

The speaker claims to be above the argument while turning refusal into a taunt. Crying and laughing begin as opposing sides, then meet in one compact Chinese expression.

太幼稚了

Calling the conflict childish claims the position of someone above it. But the hook keeps repeating the dismissal, and the later “keep crying” sounds like playground taunting. The song’s pleasure is in that mismatch: the voice insists it will not engage while spending the track performing exactly how little respect the others deserve.

算盘

算盘 is an abacus, and figuratively someone’s calculations or private agenda. “Calculations” preserves both the arithmetic and the self-interest without adding a literal counting frame to the scene.

不好意思

不好意思 can be a genuine apology or a polite preface to inconveniencing someone. Here it introduces the boast that his ambitions are simply too big, so the courtesy sharpens rather than softens the insult. It pretends the opponent’s hurt is an unfortunate side effect of the speaker’s greatness.

寒心

寒心 literally makes the heart cold. In this use it means being bitterly disappointed or disheartened by someone’s behavior, rather than physically cold. The preceding mock apology makes the dismissiveness especially sharp.

不是一个世界的

“Not from one world” denies a shared basis for arguing. It can express incompatible lives or outlooks, but here follows “what has that got to do with me?” and becomes a way to refuse responsibility for the other person’s feelings. Superiority is expressed as distance: their complaints supposedly cannot even reach the same level.

哭笑不得

哭笑不得 means being unable to decide whether to laugh or cry at an absurd or embarrassing situation. First the song separates crying and laughing into opposing camps—“you” cry, “I” laugh—then alternates the single words, and finally locks both into this one four-character expression.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

Tracks

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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