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Voices

早过了勾心斗角的年纪

I'm long past the age of scheming against people

我的事你不要随意打听

Don't go poking into my business

早过了勾心斗角的年纪

I'm long past the age of scheming against people

我的事你不要随意打听

Don't go poking into my business

出门在外要多加小心

Be extra careful when you're out in the world

竖起耳朵要仔细听

Prick up your ears and listen closely

年轻可以多出去走走

While you're young, get out and see more

外面风景还挺不错

The view out there is pretty good

但别忘记了自己的声音

But don't forget your own voice

有什么恨的

What's there to hate?

大家都一样

We're all the same

有什么骂的

What's there to curse at?

如果安静就好了

If only it were quiet

最后搞得乌烟瘴气

And end up making a filthy mess of everything

最好还是留一个秘密

Better to keep one secret

一个我们都知道的事情

Something we all know

等着别人在课堂上会提的问题

Waiting for the questions someone will ask in class

静静的在等着一个奇迹

Quietly waiting for a miracle

早过了勾心斗角的年纪

I'm long past the age of scheming against people

我的事你不要随意打听

Don't go poking into my business

早过了勾心斗角的年纪

I'm long past the age of scheming against people

我的事你不要随意打听

Don't go poking into my business

出门在外要多加小心

Be extra careful when you're out in the world

竖起耳朵要仔细听

Prick up your ears and listen closely

年轻可以多出去走走

While you're young, get out and see more

外面风景还挺不错

The view out there is pretty good

但别忘记了自己的声音

But don't forget your own voice

Notes

Advice about finding your own voice curdles into gossip, compulsory quiet and shared secrets. The final miracles would require the ordinary world to reverse itself.

没有心思再去胡思乱想

心思 and 胡思乱想 repeat 思, thinking, but give it different forms: attention available for a task versus thoughts running out of control. The line says there is no energy left even for overthinking. That tired precision opens a song full of instructions about what to hear, say, ignore and keep secret.

勾心斗角

勾心斗角 means competitive maneuvering and intrigue. The speaker declares himself beyond its “age,” treating scheming as an immature phase one should outgrow. Yet the advice that follows assumes a world full of hostile speech. The opening is less a claim that conflict has disappeared than an attempt to choose a different posture within it.

出门在外

出门在外 means being away from home, where familiar protection and rules no longer apply. 要多加小心 has the sound of advice offered before somebody leaves. The next warning is about listening rather than physical danger, so the main hazard of the outside world becomes other people’s words.

舌头很多口水乱喷

People disappear into tongues and saliva. The sentence makes gossip physically excessive before it names any particular accusation: there are simply too many mouths producing too much material. It also makes the following wish for one’s “own voice” concrete. A voice carries a person; these disembodied tongues mostly produce spray.

自己的声音

The advice permits movement: go out, see the world, enjoy its scenery. Its condition is to keep your own voice. This is not a demand for isolation or purity. It allows curiosity while resisting the pressure to become another version of the surrounding chatter, a distinction that gives the track’s title its tension.

不干净

干净 moves easily from physical cleanliness to an unblemished moral record. “Everyone is the same” first sounds conciliatory, then becomes an accusation that nobody is innocent. The shift checks the speaker’s earlier authority too: a song warning about other people’s speech includes itself in the compromised crowd.

乖乖的坐成一排

乖乖 is the affectionate but controlling language of telling children to behave. The orderly row prepares the later classroom question, bringing school discipline into a song about speech. What begins as the sensible wish for less gossip now risks becoming a demand that everyone be quiet and obedient.

脱裤子放屁

脱裤子放屁 is a deliberately ridiculous image of doing an unnecessary extra step. It often works as the first half of a saying whose answer is simply 多此一举, needless effort. Here the missing explanation is supplied by the comic picture itself. After several measured lines of advice, that bodily vulgarity punctures the speaker’s almost elder-like tone.

乌烟瘴气

乌烟瘴气 combines dark smoke with foul, unhealthy air, and describes a disordered or morally unpleasant atmosphere. The translation gives the social effect; the Chinese still pictures something one has to breathe. It also lets the crude fart joke contaminate the whole surrounding space.

我们都知道

A secret everyone knows is not hidden information; it is information governed by an agreement not to say it aloud. The next lines wait for someone else to raise the question in class. That turns the classroom into a small social system where knowledge can be common while the risk of speaking is left to another person.

铁树开花

铁树开花 is an idiom for something exceptionally rare; the “iron tree” names a cycad rather than a tree made of metal. The next example, the sun rising in the west, shifts from extreme rarity to the reversal of ordinary nature. Pairing them turns hopeful waiting into a joke about how impossible the desired change feels.

太阳从西边升起来

The expression is used for a reversal so surprising it would overturn the normal order of things. 案例, “case” or “example,” gives this impossible event a dry, almost report-like label. After wishing for a miracle, the voice briefly sounds as though it could enter one in a file and wait for precedent.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

Tracks

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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