03 / 551:45

Sunshine

同学有点调皮

This student's a little unruly

老师我来处理

I'm the teacher. I'll handle this

铁的戒尺拿出来

Bring out the iron discipline ruler

手心手背都打一遍

Strike both sides of the hands

看你还长不长记性

Let's see if you learn your lesson now

不好好学习的垃圾

You piece of trash who won't study properly

考试门门都不及格

Failing every single exam

没有脑子的傻逼玩意

You brainless fucking idiot

成绩不好就赶紧去死吧

If your grades are bad, hurry up and die

别耽误我的教育事业

Don't get in the way of my teaching career

别耽误我的教育事业

Don't get in the way of my teaching career

想活着的话周日就来我家补课

If you want to live, come to my house for lessons on Sunday

花儿对我笑

The flowers smile at me

小鸟说早早早

The little bird says, 'Morning, morning, morning'

你为什么背着炸药包

Why are you carrying a bag of explosives?

老师不知道

The teacher doesn't know

一拉线我就跑

I pull the cord and run

轰隆一声学校没有了

One big boom, and the school is gone

有什么不能说

What can't I say?

有什么不能做

What can't I do?

有什么不能说

What can't I say?

有什么不能做

What can't I do?

你要看我做

You've got to watch what I do

你要看我做

You've got to watch what I do

好了

All right

睁大你的狗眼

Open your damn eyes wide

我是最强毒液

I'm the most potent venom

汽油浇在你的马眼

Douse your pisshole with gasoline

做不了一点尸检

Can't even carry out an autopsy

花儿对我笑

The flowers smile at me

小鸟说早早早

The little bird says, 'Morning, morning, morning'

你为什么背着炸药包

Why are you carrying a bag of explosives?

老师不知道

The teacher doesn't know

一拉线我就跑

I pull the cord and run

轰隆一声学校没有了

One big boom, and the school is gone

有什么不能说

What can't I say?

有什么不能做

What can't I do?

有什么不能说

What can't I say?

有什么不能做

What can't I do?

你要看我做

You've got to watch what I do

你要看我做

You've got to watch what I do

Notes

A teacher’s sales pitch gives way to a schoolyard parody. The cheerful sun shines over threats, tuition fees and a child’s fantasy of making the whole institution disappear.

老师

The pronouns stage a role: 老师我 is the teacher referring to himself, claiming the right to “handle” the pupil. At first the offense is merely 调皮, being naughty; within a few lines the same child is worthless, stupid and told to die. The escalation makes the adult’s language grotesquely disproportionate before the student’s destructive fantasy even begins.

戒尺

戒尺 is a ruler-like implement historically used by teachers to punish pupils. This one is described as iron. The following line specifies the palms and backs of the hands, making the classroom's authority physical and painful.

长不长记性

长记性 literally means to develop memory, but in a reprimand it means finally learning not to repeat a mistake. Coming immediately after the strikes to both sides of the hands, it turns “learning” into the memory of punishment rather than understanding a subject.

罚站

罚站 compresses a punishment into one verb: being made to stand. The doorway places the pupil at the class’s boundary, visible but excluded from the lesson. Between blows to the hands and threats over exam results, this quieter detail shows another form of classroom power—controlling where the child’s body is allowed to be.

教育事业

教育事业 is elevated language for education as a profession or public undertaking. In the teacher’s mouth, “my” career matters more than the pupil’s welfare. The lofty noun is immediately followed by a very precise fee schedule. That collision of official-sounding purpose with private earnings is the verse’s central exposure.

补课

补课 means supplementary or make-up lessons. This teacher makes the child’s survival conditional on attending paid classes at his own home. The conflict has a concrete institutional background: a 2015 Education Ministry notice explicitly prohibited serving schoolteachers from inducing pupils into paid tutoring. The satire exposes how authority over a child’s grades can become leverage over the family’s money.

一小时两百一个月一结

After extravagant threats, the voice suddenly becomes an invoice: hourly rate, then settlement period. The plain administrative precision is part of the cruelty. It makes the impossible bargain sound routine and manageable, as though paying on time could resolve a system that has already declared the child disposable.

别让你的父母失望

The teacher recruits parental disappointment after specifying his fee. A familiar appeal to family pride now works as the final push in a sales pitch. The line makes shame portable: even outside the classroom, the pupil is asked to carry the teacher’s demand home and experience it as an obligation to the parents.

太阳当空照

The hook remakes 上学歌, a cheerful Going to School Song, through a playground parody circulated by children long before this recording. A 2007 school report describes the explosive-schoolbag version while condemning such songs and organizing replacement singalongs. That history sharpens the joke: even the supposedly childish escape fantasy became something adults tried to discipline.

早早早

The little bird’s repeated morning greeting is deliberately simple, friendly and easy to sing. It stands opposite the adult’s dense sequence of insults and transactions. Retaining that bright nursery-song diction while changing the schoolbag preserves the pleasure of a children’s chorus, which makes its revenge fantasy more unsettling than a uniformly grim verse.

炸学校

The decisive substitution comes at 炸药包: a bag of explosives takes the schoolbag’s place. The sun, flowers and bird have continued their cheerful routine, so the destruction enters through the object that normally signals obedient attendance. Keeping the nursery-song setup intact makes the rupture work; the world still smiles while the child imagines removing school from it.

你要听我说

The repeated 有什么不能 asks what could possibly be forbidden; 你要 then turns that freedom into commands directed at an audience. The voice changes from being handled to insisting on being heard and seen. Its rebellion adopts the same commanding grammar as the teacher, suggesting how thoroughly the classroom has supplied the available language of power.

马眼

马眼 literally says “horse eye,” but it is slang for the opening at the tip of the penis. “Pisshole” carries both the anatomy and the coarse register. Two lines earlier, 狗眼 is an insult directed at someone’s eyes; 马眼 repeats 眼 while moving to a different body part. The sequence then shifts into pixelation and an impossible autopsy.

马赛克

马赛克 literally means mosaic; in media language it also means pixelation used to obscure part of an image. The line turns the preceding violent image into something one cannot clearly see, before the next line says even an autopsy is impossible. It changes from bodily detail to the image that might be left on a screen.

一点

做不了一点 uses 一点, “even a little,” for emphatic total impossibility. After the image dissolves into mosaic pixels, the punchline is that no examination can recover it. The casual, almost conversational degree-word shrinks an extreme bodily image into an offhand judgment—the same deadpan mismatch that drives the teacher’s opening speech.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Aigeci · approximate line timings · Genius · original lyric text.

Tracks

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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