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Sour

我自由自在的飞行

I'm flying free, without a care

俯瞰整个大地

Looking down over the whole earth

全部都在我的眼里

I've got it all in my sights

根本没有力气理你

I don't even have the energy to deal with you

还在暗自庆幸

Still secretly counting my blessings

瞎了眼的狗逼东西

You blind fucking piece of shit

全部都是垃圾

It's all trash

全部都是垃圾

It's all trash

不好意思我当了第一

Sorry, I came out on top

枯萎的标题

A withered title

自卑的文字

Words full of insecurity

幼稚的把戏

Childish tricks

狠狠的踩着你的头

Stomping hard on your head

水一滴一滴滴着你的头

Water dripping onto your head, drop by drop

铅笔扎进你的眼球

A pencil stabbing into your eyeball

鲜血直流

Blood streaming out

我不理你是因为我瞧不起你

I ignore you because I look down on you

我不理你是因为我不认识你

I ignore you because I don't know you

我不理你是因为我不喜欢你

I ignore you because I don't like you

我不理你因为这是我的游戏

I ignore you because this is my game

我不理你我才不管你痛不痛

I ignore you, I don't give a damn if it hurts

我才不管你心会动不动

I don't give a damn whether your heart still beats

废物废物抱团取暖

Losers, losers, huddling together for warmth

垃圾垃圾资源互换

Trash, trash, trading resources

我不理你是因为我瞧不起你

I ignore you because I look down on you

我不理你是因为我不认识你

I ignore you because I don't know you

我不理你是因为我不喜欢你

I ignore you because I don't like you

因为这是我的游戏

Because this is my game

我才不管你痛不痛

I don't give a damn if it hurts

我才不管你心会动不动

I don't give a damn whether your heart still beats

Notes

A victory speech delivered as a refusal to speak to anyone: sour envy, ruined writing, clique politics and a laugh that abruptly stops.

自由自在

自由自在 doubles the idea of freedom into a four-syllable phrase that sounds effortlessly complete. That opening freedom quickly turns into control over attention: everyone lies within his view, but nobody earns a reply. The enormous aerial perspective makes the petty insults that follow funnier; the narrator of the whole earth is still arguing with a particular “you.”

不好意思

不好意思 normally smooths a social awkwardness: excuse me, sorry about that. Here it introduces the announcement of coming first, so courtesy itself becomes a taunt. The winner acts as if other people’s embarrassment is an unfortunate inconvenience he politely acknowledges, while enjoying every moment of causing it.

恨意油然而生

油然而生 is a polished four-character expression for a feeling springing up naturally. Dropping it between a sarcastic apology for winning and an obscenity makes the voice jump registers: formal explanation, schoolyard taunt, then bodily disgust. Success supposedly produces hatred as automatically as a chemical reaction.

酸掉牙

酸 means sour, but it also describes envy in Chinese internet speech: someone else's success can leave a sour taste. The lyric pushes that taste into an exaggerated bodily image—sour enough to make your teeth fall out—immediately after boasting about coming first and attracting hate.

油炸过的一本书

A book is deep-fried, its title withers, and its words suffer from insecurity. The sequence judges a piece of writing by giving it the damaged body and emotions of its author. 油炸 also picks up the 油, yóu, in 油然而生 just before it: the character moves from a fixed expression into literal cooking oil, making the insult feel as if it is eating through the language.

铅笔

The weapon is a pencil, following a ruined book, title and written words. Those everyday writing objects keep the violence inside the same imaginative world: language no longer just humiliates the opponent; its tools turn physically aggressive. The eye also answers the opening insults about blindness and the speaker’s own all-seeing view.

嘻嘻不嘻嘻

嘻嘻 is the written sound of a giggle. The internet pairing 嘻嘻 / 不嘻嘻 flips instantly from amused to no longer amused, often after a nasty surprise. Placed after the pencil-and-blood threats, the cute giggle becomes cruel: the speaker supplies both the laugh and the moment it stops. The English needs a sentence to convey a switch Chinese makes by inserting one 不.

瞧不起

The song begins above the earth, looking down on everything; 瞧不起 then means regarding somebody as beneath you. English “look down on” preserves this movement from physical elevation to social contempt. The broad aerial view narrows into a refusal to recognize one particular “you.”

我不理你我不理你

理 here means acknowledging, attending to, or engaging with someone. Each repeated refusal supplies a new reason, so “ignoring” becomes an entire sustained address. That contradiction is the hook’s pleasure: the speaker claims total indifference while spending the song making sure the rejected person hears it. English “ignore” keeps the action but softens this sense of withholding social recognition.

心会动不动

心动, xīndòng, ordinarily means being emotionally stirred or attracted. This line pulls those words apart into a question about whether the heart can move at all. “Still beats” emphasizes bodily menace after the threats; the familiar emotional meaning remains audible underneath. The same heart can be treated as a vulnerable organ and the place where someone might still feel something.

不服不行

服 here means accepting someone’s ability or superiority, not merely obeying. 不服不行 literally says that refusing to acknowledge it will not do: the listener is denied even the option of withholding respect. It is a sharper boast than simply saying “I am good.”

抱团取暖

抱团取暖 pictures people pressing together against the cold. Its usual suggestion of solidarity turns sour beside “losers” and the next line’s resource-swapping: the circle provides protection and access, but only to its members. “Monoplay” repeats the phrase next to 小圈子, little cliques. Across both tracks, the complaint is about how belonging distributes support and opportunity.

资源互换

资源互换 sounds like the tidy language of networking or a mutually useful professional arrangement. Repeating “trash” before it strips that businesslike respectability away. The contrast matters: the lyric does not only accuse rivals of lacking talent; it pictures them maintaining a little exchange economy in which connections make up for what the music cannot do.

牛逼

牛逼, niúbī, is vulgar praise: impressive, formidable, exceptionally good. Translating the body-part compound literally would miss its ordinary force. Its approving charge contrasts with the abusive 狗逼 earlier, showing how the same coarse ending can serve praise or contempt. Repetition turns it into a simple self-coronation after the elaborate reasons for withholding respect from everyone else.

摊牌了我不装了

摊牌 means laying one’s cards face up, hence revealing a position previously concealed. 我不装了 announces an end to pretending. After the long refusal to acknowledge anyone, this is a comic reveal with no hidden surprise: the supposedly secret truth is the boast he has already repeated. The performance of dropping a mask becomes another way to show off.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Aigeci · original transcript and approximate timings · Genius · comparison transcript.

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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