22 / 551:53

Throat

狗逼养的没一个人关心我

Not one of these sons of bitches cares about me

我站在台上像一个傻逼

I stand onstage like a fucking idiot

我想喝口水没人递给我

I want a sip of water and nobody hands me any

唱他妈四十分钟我好折磨

Singing for forty fucking minutes is torture

吸毒的狗逼在台下看我笑话

The druggie assholes in the crowd laugh at me

网上的傻逼随意诋毁我

Idiots online slander me however they like

我说中文没人听得懂

I speak Chinese and nobody understands

DJ像个僵尸一样行动

The DJ moves like a zombie

我的脸像木乃伊一样臭

My face is as sour as a mummy’s

时间越来越慢我好失落

Time keeps slowing down; I feel so lost

我在佛前苦苦的哀求

I plead desperately before the Buddha

请问现在谁能杀了我

Tell me, who can kill me right now?

请问现在谁能杀了我

Tell me, who can kill me right now?

没人懂

Nobody understands

没人懂

Nobody understands

咳出来的痰都带血

Even the phlegm I cough up has blood in it

没人懂

Nobody understands

没人懂

Nobody understands

狗逼样的没一个人关心我

Not one of these fucking scumbags cares about me

我站在台上像一个傻逼

I stand onstage like a fucking idiot

我想喝口水没人递给我

I want a sip of water and nobody hands me any

唱他妈四十分钟我好折磨

Singing for forty fucking minutes is torture

吸毒的狗逼在台下看我笑话

The druggie assholes in the crowd laugh at me

网上的傻逼随意诋毁我

Idiots online slander me however they like

Notes

The performance is also the injury: a sore voice keeps singing about nobody noticing its pain. Small practical needs open into a larger gap between being watched and being understood.

我嗓子痛

This hook makes the tool of the performance its subject. 嗓子 is the throat as the place the singing voice comes from; repeatedly singing that it hurts makes the complaint and the labor happen together. The line’s plainness matters: it asks for no grand interpretation before the verse begins listing unmet needs.

喝口水

口 counts a mouthful: he is asking for a sip, not an elaborate backstage demand. Nobody passing him water condenses the larger complaint into a tiny missing act of care. The contrast with the abuse aimed at the room is sharp: the need underneath the angry language is ordinary and immediately solvable.

四十分钟

A specific duration gives the exhaustion a clock. The performance is work that has to be sustained for forty minutes even while the throat hurts; later, time appears to slow. Instead of presenting the stage as instant recognition or escape, the verse makes the audience wait inside the performer’s bodily endurance.

看我笑话

看某人的笑话 means enjoy that person’s embarrassment or failure. It is different from watching someone tell jokes. After the singer describes standing onstage and needing water, this phrase casts the crowd as spectators to his humiliation rather than people sharing his performance.

网上

The movement from the people below the stage to the people online joins two audiences in the same complaint. In the room, they watch him fail; on the internet, they control the story told about him. The verse keeps returning to a gap between being exposed to scrutiny and being understood or cared for.

没人听得懂

At first, “nobody understands” is literal: the words are Chinese, and the crowd cannot follow them. The shorter 没人懂 later drops the language specification. After pain, no water and a humiliating stage experience, comprehension has widened into care: nobody seems to understand what it is like to be the person producing the voice.

臭

臭脸 is a sour or visibly displeased face, although 臭 on its own also means foul-smelling. Pairing that expression with a mummy lets bad temper brush against a decaying body. Alongside the zombie DJ, it turns the live show into a scene of the barely animated: everyone is present, but little human responsiveness reaches the stage.

佛前

When nobody in the venue responds, the appeal jumps to the Buddha. 苦苦 intensifies the pleading and carries the sound of suffering; the following polite 请问 introduces the extreme wish for the ordeal to end. The sudden devotional register makes abandonment larger than the room.

吞了刀片

A simile makes an invisible sore throat feel like a sharp object scraping inside the body. The later blood in the phlegm adds something outwardly visible to that private sensation. Across this passage, each return to “nobody understands” follows a fresh attempt to find language physical enough for somebody else to grasp.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

Tracks

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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