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Haribo

说一个事实

Let me state a fact

他会找到你

He'll find you

让你活在梦境里

Make you live inside a dream

不会跟你说对不起

He won't say he's sorry

不会跟你说对不起

He won't say he's sorry

不会跟你说对不起

He won't say he's sorry

没有侥幸这一说

There's no such thing as getting lucky

绝不可能会逃脱

There is absolutely no escape

香精色素堆在一起

Flavorings and colors piled together

这就是你的命

This is your fate

我一直在努力

I've been working hard all along

虽然他们不会相信

Even though they won't believe it

但我就是第一

But I am number one

我一直在努力

I've been working hard all along

虽然他们不会相信

Even though they won't believe it

但我就是第一

But I am number one

但我就是第一

But I am number one

但我就是第一

But I am number one

但我就是第一

But I am number one

但我就是第一

But I am number one

但我就是第一

But I am number one

说一个事实

Let me state a fact

他会找到你

He'll find you

让你活在梦境里

Make you live inside a dream

不会跟你说对不起

He won't say he's sorry

不会跟你说对不起

He won't say he's sorry

不会跟你说对不起

He won't say he's sorry

没有侥幸这一说

There's no such thing as getting lucky

绝不可能会逃脱

There is absolutely no escape

香精色素堆在一起

Flavorings and colors piled together

这就是你的命

This is your fate

Notes

Vanity gets a candy coating, then hardens into fate. A compact chant pits manufactured sweetness against the speaker’s repeated claim to work and effort.

事实

Calling the opening a “fact” asserts authority before presenting any evidence. The following future-tense pursuit cannot yet be observed, but the phrase asks us to receive it as settled. That certainty shapes the entire chant: escape, luck and disbelief are all ruled out by a voice speaking as if the outcome has already happened.

狙击你的虚荣心

狙击 means a targeted or sniper-like strike; its target here is explicitly vanity. The threatened strike targets the wish to be admired rather than the body. The following promise to keep someone in a dream turns that weakness into a means of capture: flattery can immobilize as effectively as a threat.

侥幸

侥幸 especially suggests obtaining a good outcome or escaping trouble by chance. The following “no escape” makes that shade stronger than generic good fortune. Later, the speaker says he has kept working and fighting; the song grants others no lucky exit while claiming his own position through effort.

棉花糖泡泡糖

HARIBO’s name brings the world of gummy sweets and colorful packaging into the title. The verse then names cotton candy and bubble gum before dismantling the sweetness into flavoring and color. The point is less a particular product than the distance between an inviting surface and what has been manufactured to produce it.

香精色素

香精 and 色素 are flavoring and coloring, the technical ingredients behind an appealing taste and appearance. 堆在一起, simply piled together, drains that appeal of craft or mystery. After vanity and the dream, the sweets offer a concrete model for a seductive illusion: the attractive whole is made from effects designed to be consumed.

命

命, mìng, can mean life or fate. 这就是 makes the verdict categorical: this is what has been assigned to you. The next “believe it or not” denies the listener a meaningful role in deciding it. The song’s speaker then claims his own position through effort, producing a sharp asymmetry between another person’s fixed fate and his own active struggle.

信不信由你

The formula literally leaves belief up to you, but gives no choice over the outcome itself. Its apparent freedom is narrow: the listener can disagree internally while the predicted fate proceeds. That makes it a fitting answer to the title’s inviting candy image—acceptance can be offered without changing the trap.

一直在拼

拼 is striving with everything one has, sometimes with the sense of putting oneself at risk. 一直在 keeps that effort in progress. After a verse that immobilizes somebody else in a dream, the speaker identifies himself through ongoing work; “number one” is presented as the outcome of motion, not simply an attractive image.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

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JACKZEBRA NOTES

Jackzebra Notes

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Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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