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Hitman

快看那个小子

Look at that kid

在街边向我挥手

Waving at me from the roadside

可我没注意

But I didn't notice

不小心成了马路杀手

I accidentally became a killer on the road

把他碾成肉泥

Ground him to a pulp

希望他不会记仇

Hope he doesn't hold a grudge

记仇

Hold a grudge

记仇

Hold a grudge

新的一年

In the new year

我要飞的更高

I'm going to fly higher

在飞机上吃高乐高

Having Cola Cao on the plane

玩神庙逃亡边吃边笑

Playing Temple Run, eating and laughing

感觉自己永远不会老

Feeling like I'll never grow old

心里装了个小男孩

There's a little boy in my heart

一说出来吓一跳

Once I do, you'll get a fright

你反应太慢了

You're reacting too slowly

快跟上我的脚步

Hurry up and keep pace with me

不能像以前一样

You can't be like you used to be

再不学就变成猪

Keep refusing to learn and you'll turn into a pig

西游记猪八戒四大名著

Journey to the West, Zhu Bajie, the Four Great Classics

可恶

Damn it

我还不想输

I don't want to lose yet

轮盘转动

The roulette wheel spins

再来一把

One more round

稳了兄弟

We've got this, brother

快看那个小子

Look at that kid

在街边向我挥手

Waving at me from the roadside

可我没注意

But I didn't notice

不小心成了马路杀手

I accidentally became a killer on the road

把他碾成肉泥

Ground him to a pulp

希望他不会记仇

Hope he doesn't hold a grudge

记仇

Hold a grudge

记仇

Hold a grudge

新的一年

In the new year

我要飞的更高

I'm going to fly higher

在飞机上吃高乐高

Having Cola Cao on the plane

玩神庙逃亡边吃边笑

Playing Temple Run, eating and laughing

感觉自己永远不会老

Feeling like I'll never grow old

心里装了个小男孩

There's a little boy in my heart

Notes

A careless road killer turns into a snack-loving child, a stern teacher and a gambler who keeps guaranteeing the next win. Listen for ambition made literal and words chaining together by sound.

马路杀手

马路杀手 is a familiar insult for a dangerously bad driver: literally a “road killer.” Here the next line supplies an actual victim, turning an everyday exaggeration into cartoon gore. That also wrong-foots the English title: this “Hitman” starts as someone who was not even paying attention, not a cool professional assassin.

记仇

After grinding someone to a pulp, the speaker worries about whether the victim will hold a grudge. The mismatch makes the joke: 记仇 belongs to the manageable world of social slights, and “hope he doesn’t” sounds almost considerate. Repeating the little worry lets politeness outlive the person it is supposedly concerned for.

高乐高

高乐高 is ColaCao, a cocoa-drink brand. Its Chinese name begins and ends with 高 gāo, “high.” The previous wish to “fly higher” moves from ambition to a literal airplane, then lands in this little chain of repeated sounds. A grand promise for the new year becomes an ordinary in-flight snack, preparing the snack-loving child who emerges next.

神庙逃亡

神庙逃亡 is Temple Run. In his own 2025 recommendations for Perfectly Imperfect, Jackzebra said he plays it on planes, trains and before shows. The airplane routine here therefore meets a specific habit he has described. Inside the verse, the familiar phone game also helps make the grotesque road killer suddenly look like the snack-loving little boy he announces next.

旺旺大礼包

旺旺大礼包 is a Want Want assortment of packaged snacks. 大礼包 makes it a whole gift bundle rather than one treat, and 捧着 pictures someone cradling it in both hands. After the “little boy in my heart,” the pose supplies the childhood feeling through a specific, graspable object. It is snack abundance rather than a luxury-brand flex.

不说不知道

This is the first half of a conversational reveal formula: you would never know until someone said it, and hearing it gives you a shock. Its paired negatives and rhyming endings build a tiny suspense routine. Instead of delivering a grand revelation, the verse pivots into telling the listener they are too slow to keep up.

时代淘汰

淘汰 is elimination: an obsolete product, an unsuccessful contestant, or someone unable to keep pace gets removed. “Left behind” is gentler than that threat. After promising never to grow old, the speaker treats the listener’s slowness as grounds for expulsion from the present, borrowing the stern vocabulary of competitive self-improvement.

浑浑噩噩不学无术

Two four-character expressions deliver a double scolding: 浑浑噩噩 is muddling through without clarity, and 不学无术 condemns having neither learning nor skills. The polished, admonishing wording makes the speaker sound briefly like an exasperated teacher. One line later, the lecture devolves into the childishly literal threat that not studying will turn you into a pig.

猪八戒

Zhu Bajie is the piglike companion in Journey to the West, one of the Four Great Classical Novels. The lyric gets there by association: refuse to study, become a pig, then name a famous literary pig and the canon he belongs to. An insult turns into a miniature reading lesson.

读心术

Mind-reading would help against another person, but the immediately preceding game is roulette: the wheel has no intentions to read. That mismatch makes the claimed advantage absurd. The verse keeps adding ways to guarantee a win—special powers, hard work, a spell, a brother’s reassurance—without actually changing the chance involved.

爱拼才会赢

爱拼才会赢 is also the title of the Taiwanese Hokkien hit made famous by Ye Qitian, a phrase widely used to encourage persistence. Here that encouraging motto sits after a spinning roulette wheel and “one more round,” then gives way to a spell. Effort, luck and magical confidence pile into the same attempt to win.

天灵灵地灵灵

This formula calls on the efficacy of heaven and earth. It appears between claims of fighting to win and confidence about the next round, mixing supernatural appeal with gambling language.

这把肯定行

把 counts a round or game here. 肯定行 is the certainty of “this will work,” and 稳了 just before it says the result is already secure. Repeating that confidence never supplies the winning outcome. It leaves us inside the ritual of talking oneself into one more attempt, suspended between a boast and a plea.

Independent, AI-assisted English translation. Not artist-authorized. Sources: Genius · original lyric transcript.

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JACKZEBRA NOTES

Jackzebra Notes

This companion brings English translations and original lyrics together with notes on phrasing, wordplay, and references. Your audio stays on your device.

Tap an underlined phrase in either language for wordplay, slang, or a reference. The matching phrase lights up across the two columns. Sources and transcription details live under “About this text.”

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About Jackzebra and this mixtape

Zhuang Zhuang Mixtape arrived on Surf Gang on October 2, 2026: 55 tracks, opening with Sour and closing with Sweet. Its cast widens from YoungQueenz on Poker Face to User116, Effie, kuru, yoyi, 春 and 南部犯罪份子. Aghast has a production credit on every track from Hitman through Snatch, giving that stretch a shared collaborator behind its changing scenes.

Surf Gang release · Artist credits

Jackzebra told AVYSS that he writes while singing over a beat he has listened to repeatedly, keeping the images in his head central. He values the room Mandarin leaves for indirect meanings. Listen for ordinary phrases becoming physical scenes: familiarity becomes cooking, authority becomes family seniority, and a tired saying suddenly turns into a threat.

AVYSS interview, 2024

In STATIC, he describes mixtapes as a format for letting ideas flow, reserving an official debut album for later. In a separate conversation about Above & Beyond, he compared that earlier tape to a collection of his producer friends’ work. The credits here likewise reward attention: long-running collaborators sit alongside guests working in Mandarin, Korean and English.

STATIC interview · Sabukaru interview, 2025

The small details connect to his stated interests: he has described playing Temple Run in transit and before shows, watching Top Boy, and wanting to score White Oleander. These give the songs specific points of contact with his life. The notes follow those connections alongside the lyrics’ jokes, invented scenes and competing voices.

His recommendations in Perfectly Imperfect · Dazed interview, 2025 · Interview questionnaire, 2025

Jackzebra has pushed back on being made to represent all of China’s underground. These notes stay close to the words: what an expression usually means, what changes in this line, and how another song answers it. Cultural references have sources; interpretations rest on details you can hear or read in the song.

STATIC interview

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